Viviane Esders opens the Photography Auction Season in Paris. Viviane Esders’ modern and contemporary photo auctions held at the Hotel Drouot on November 9 included 245 lots. Nearly half found buyers for a total of €310,047 (fees included) and more than 40 lots surpassed the high estimated price. The highest bidding took place for lot 91, Andréas Feininger’s Icone “The Photojournalist (Denis Stock)”, New York, 1955, which sold for €18,588. Lot 137, “Sifnos”, Greece, 1960, by Henri Cartier-Bresson, a vintage print estimated at €4,000 sold for €11,153. Lot 176, “Yves Saint Laurent’s Dress”, Vogue, Paris, 1970, by Jean-Loup Sieff, sold for €7,807 or Lot 179 “East 100th Street”, 1966, by Bruce Davidson, estimated at €2,000 – 3,000 sold for €9,294. Among the contemporary prints, was Lot 214, a 2005 self portrait by Kimiko Yoshida that sold for €15,490 or lot 226 “Naomi Campbell”, Vogue, USA, Los Angeles, 1990 by Peter Lindhberg, sold for €15,490. Catalogue www.viviane-esders.com or www.yannlemouel.com Viviane Esders’ next auction: " Picasso et ses amis" Étude Blanchet et Associés Hôtel Drouot Thursday December 9th at 2pm. Catalogue www.blanchet.auction.fr

Several sales took place at “Paris Photo”, poor timing given the major exhibition openings taking place throughout Paris for the Photography Month. Among the most remarkable sales, that of Millon 1 Associés that took place on November 18 at 3pm in the hall of 3 Rossini Street. Several photographic collections from the XIXth and XXth centuries were on sale. Lot 19, “Cranes and Drills”, two hard-mounted albumin prints measuring 34.5 × 24.5 cm dated ca. 1870 and estimated at €600 – 800 sold for €5,000.
Two albumin prints by Eugène Atget “Paris, Place du Caire” and “Angle du boulevard de la Madeleine et de la rue Caumartin” was purchased for €13,500 (not including fees).
Furthermore, Christophe Goeury remarked that buyers were particularly interested in complete albums including “Indes et Ceylan” with 173 albumin prints by several photographers including Bourne that sold for €4,500 or that of Emile Gzell with 200 albumin prints from different countries in Asie that sold for €37,000. Or that by Guillaume Benjamin Duchenne (de Boulogne) on “Mechanism and Appearance of Human Passions” sold for €16,500 (fees excluded). Full results on www.millon-associes.com

Following that of Million, the sale organized at Drouot Montaigne by Serge Plantureux, Binoche and Giquello on Thursday, 18 November, was themed “Chinese Prints, Looking East”. There was a remarkable interest for Alfred Laurens’ Saint Petersbourg album (lot 80) ca. 1870 comprised of 50 albumin prints. Estimated at €6,000 – 8,000, it sold for €62,000. Lot 98, an album by Konstantin Shapiro comprised of 30 albumin prints illustrating Gogol’s “Memoirs of a Madman” estimated at €3,000 – 3,500 sold for €20,000 fees excluded. Lot 146, “Study of a Nude, II”, Moscow, 1930, by Alexandre Grinberg, estimated at €3,000 – 3,500 sold for €22,000. Lot 204, Man Ray, “Mr. Seabrook’s Fantasies”, Paris, 1930, sold for €3,500. Lot 133, “Nude Study”, 1925, by Vladimir V. Lebedev, a vintage silver print estimated at €800 sold for €3,200. Results: www.binoche-renaud-giquello.com

At its Parisian headquarters in the Charpentier Gallery, Sotheby’s Auction House reached a record-breaking figure for a photography sale totaling 2.704 million Euros ($3,671,722). There were also two record-breaking sales for photos by Joseph Sudelka and Manuel Alvarez Bravo. Lot 89, Joseph Sudelka, Still Life (no title) ca. 1952, vintage print, estimated at €18,000-23,000, sold for €300,750 ($400,295) (fees included). Lot 88, another untitled vintage print by Joseph Sudek (vase and dead rose), also from 1952 sold for €228,750 ($310,549) (fees included). Lot 55, “Portrait of the Eternal” ca. 1935 by Manuel Alvarez Bravo, a silver vintage print estimated at €70,000 – 90,000, sold for €228,750 ($$310,549) (fees included). Lot 11, “Notre Dame de Paris, 1923” by Eugène Atget, a vintage albumin print estimated at €40,000 – 60,000 sold for €168,750 ($229,093) (fees included). Edward Weston’s series of nudes, some previously unseen, did not find a buyer at the estimated €50,000 – 68,5000 (without fees). Furthermore, Simone Klein, Director of the Photographic Department for Europe, emphasized the emergence of German photographer Heinz Hajek-Halke’s work of which 11 of the 12 works sold. The vintage print “Monumental Erotica” from 1928-1932 sold for three times its estimated value at €34,350 (fees included). Full Results on www.sothebys.com

The next day, the Christie’s auction at its Parisian base at 9 avenue Matignon offered 65 photographic items and a portfolio from the Richard Avedon Foundation. 65 were sold, generating a total of €5,467,250 fees included. With the highest price being attributed to lot 16, “Dovina with Elephants, evening dress by Dior, Cirque d’Hiver, Paris, August 1955”. This signed exhibition print from 1978 (216.8cm x 166.7cm) originally estimated at €400,000 – 600,000 ($547,908 – 821,862) sold for €841,000 ($1,151,976) (fees included). The next major sale was “Andy Warhol and Group” from October 1969. Three unique signed, dated, and noted prints mounted on isorel estimated at €80,000 – 120,000 sold for €301,000 ($412,301). Then “Andy Warhold, artist, New York City, 20 August 1969”, silver print (150cm x 121.5cm) from 1993 estimated at €80,000 – 120,000 sold for €169,000 ($231,491) (fees included). Or “Stephanie Seymour, model, New York City”, a signed and numbered print from 1992 (155.2cm x 122cm) estimated at €120,000 – 180,000 sold for €265,000 ($362,989). There were also a few notable sales of Richard Avedon’s portfolio and album works during his career. “The Beatles Portfolio” from 1967 sold for €445,000, “Avedon Paris” for €169,000. The “Minneapolis Portfolio” (11 silver prints) edited in 1970 sold for €169,000 while “Family”, 1976, 69 prints made with Rolling Stone Magazine sold for €205,000 (fees included).

Finally on Sunday, November 21 at 2pm, Ader Nordmann auctioned off 338 lots of vintage, modern, and contemporary prints totaling €332,000 fees excluded. One sale confirming the enthusiasm for albums combining lots 57 and 58 in one album of 121 nudes on albumin paper dated 1890 and an album with prints and Japanese photographs reached €35,000 fees excluded. A sale that revived post-war humanistic photography with €6,500 (fees excluded) for a later print of Henri Cartier Bresson’s 1932 “Derrière la Gare St Lazare”. €1,900 for “Les Premières Neiges du Luxembourg” ca. 1955, an unsigned vintage print by Edouard Boubat (lot 201). Lot 230, “Regards d’acier”, a signed and dated vintage print by Josef Koudelka reached €5,000. Man Ray’s photogramme, lot 149, a photographic print from the movie “Fernand Leger, le ballet mecanique”, 1924, auctioned for €27,000. Or €5,700 for François Kollar’s “Fernande Kollar in the Mirror” (lot 148), a vintage color slide on a silver leaf background. A unique item measuring 25 × 20 cm dating back to 1955. And €12,000 for a 1975 silver print (30 × 40) “Silvana Mangano” by François-Marie Banier. Catalogue on www.ader-paris.fr

For memory, the Piasa sale on Friday 19 November at 3pm in the hall 5 at the Hotel Drouot. Little interest was manifested for the 331 lots on auction, explaining why only 1/3 found buyers. Results on www.piasa.fr

One more thing, Helmut Newton, “Domestic nude V: In my livingroom, Chateau Marmont, Hollywood, Los Angeles, 1992” has been sold for 225,850 € at Bukowskis, the swedish auction house in Stockholm on the 17th of november 2010.

Bernard Perrine, correspondant de l’Institut de France