Luc Delahaye has a unique place in contemporary photojournalism. He is one of the best, yet his approach became the extreme opposite of that of his peers. In each story, he took few pictures, sometimes none, in favor of selling prints, for the most part large formats on the publication of a magazine. There was a kind of hunt for the Holy Grail in his work, “a successful portrait, the exact description of human relations, a decent landscape”. Utopia perhaps ?

Until March 5
Galerie Nathalie Obadia
3, rue du Cloître-Saint-Merri
75004 Paris 4e.
Catalogue, éd. Steidl, 80 p.,