It’s a galant homage that Gidon Kremer, one of the greatest contemporary violin soloists, is offering this evening to his wife Alexandra for the opening of his exhibition “Live Music.” The Pleyel Hall, the Parisian temple of “grand” music, presents photographic prints that had occupied him over many years with great passion: “In order to forever set the passion, jubilation, rapture, indignation and love on their inspired faces, to feel and to show this flight towards the sky and this fall into the abyss, this ecstasy of the soul and of the body, whose name we know as MUSIC.” AK