Exhibition
Paolo Pellegrin
Dies Irae

A Palestinian man is arrested and blindfolded during an Israeli army operation near Jenin, Palestine 2002 © Paolo Pellegrin/Magnum Photos

A group of women in Behesht Zahra Martyr’s cemetery. Teharan, Iran 2009 © Paolo Pellegrin/Magnum Photos

The mother of child killed during an IDF’s incursion is seen mourning in Jenin, Palestine 2002 © Paolo Pellegrin/Magnum Photos

Al-Aqsa Marthyrs Brigade members in Gaza, Palestine 2004 © Paolo Pellegrin/Magnum Photos

A helicopter used by the Drug Enforcement Administration and Afghan troops lands in Kabul after completing a mission. Afghanistan 2006 © Paolo Pellegrin/Magnum Photos

Nahn, an HIV-positive former sex worker from Thailand. Phnom Penn Cambodia 1998 © Paolo Pellegrin/Magnum Photos

Fleeing Kosovar refugees arrive in Kukes, Albania 1999 © Paolo Pellegrin/Magnum Photos

Al-Aqsa Martyr Brigades militants patrol side roads outside Gaza city in eventualità of an Israeli incursion. Gaza, Palesatine 2002 © Paolo Pellegrin/Magnum Photos

St Rita’s nursing home in Chalmette, St Bernard Parish, just east of New Orleans. The place where 34 people, mainly patients and a few staff members died when surprised by a wall of mud and water caused by hurricane Latrina.Louisiana 2005 © Paolo Pellegrin/Magnum Photos

Bassora village burns during the USA invasion in Irak, 2003 © Paolo Pellegrin/Magnum Photos
A Palestinian man is arrested and blindfolded during an Israeli army operation near Jenin, Palestine 2002 © Paolo Pellegrin/Magnum Photos
Forma Foundation for Photography presents the exhibition Dies Irae, photographs by Paolo Pellegrin.
Dies Irae is the first major retrospective exhibition dedicated to the work of Paolo Pellegrin. The show includes more than 150 images through which he tells us many of his stories and reportages. He has become a symbol of that authentic photojournalism (Magnum) that is not afraid of documenting the world by bravelesly staring at it in the eyes.
Pellegrin represents a new generation of photographers who are aware of the modern means of production and distribution of images at their disposal. They operate to offer a new way to look at some events they document, always maintaining their ethics in the form and methods of their work. Pellegrin always uses a metaphor to talk about his job: photography is like a language we wish to learn.
An unfamiliar language, perhaps of an unknown stock, whose mystery fascinates and draws us towards it. Paolo Pellegrin has narrated many stories. At times these stories were harsh, even tragic, about war, detention and natural disasters. He approached them without judging, but following with his eyes what was happening around him in order to interpret it in the light of his extensive experience as a journalist and his sensitivity as a human being.
“In my work, I present questions and concerns. This is the active, dynamic kind of photography that transforms in the eyes of the viewer. The opportunity to put a system of antibodies into circulation, without any pretense of making the world a better place, but to start a conversation with the wolrd.” Paolo Pellegrin
Emiliana Tedesco
The exhibition is accompanied by a book published by Contrasto.
Dies Irae. Photographs by Paolo Pellegrin
Until May 15th
Forma Foundation for Photography
Piazza Tito Lucrezio Caro, 1 (Milan)
Links
http://www.formafoto.it
http://www.contrastobooks.com
Contributors
