Portfolio
The Mexico of Larry Cwik

Red, Self-Portrait, From The Series, The Visitor , 29 Years Photographing Mexico © Larry Cwik, 1988

Backboard, From The Series, The Visitor, 29 Years Photographing Mexico © Larry Cwik, 1986

Vision, From The Series, The Visitor, 29 Years Photographing Mexico © Larry Cwik, 1989

Angel, From The Series, The Visitor, 29 Years Photographing Mexico © Larry Cwik, 1991

Two Steps, From The Series, The Visitor, 29 Years Photographing Mexico © Larry Cwik, 1995

Links, From The Series, The Visitor, 29 Years Photographing Mexico © Larry Cwik, 1997

Toerador, From The Series, The Visitor, 29 Years Photographing Mexico © Larry Cwik, 1998

Poster, From The Series, The Visitor, 29 Years Photographing Mexico © Larry Cwik, 2000

Cloud, From The Series, The Visitor, 29 Years Photographing Mexico © Larry Cwik, 2002

Crucifix, From The Series, The Visitor, 29 Years Photographing Mexico © Larry Cwik, 2003

Green Shadow, From The Series, The Visitor, 29 Years Photographing Mexico © Larry Cwik, 2004

Scale, From The Series, The Visitor, 29 Years Photographing Mexico © Larry Cwik, 2005

Woman With Sculpture, From The Series, The Visitor, 29 Years Photographing Mexico © Larry Cwik, 2007

Woman With Shadow, From The Series, The Visitor, 29 Years Photographing Mexico © Larry Cwik, 2007

Frayed Banner, From The Series, The Visitor, 29 Years Photographing Mexico © Larry Cwik, 2007

Fixtures, From The Series, The Visitor, 29 Years Photographing Mexico © Larry Cwik, 2008

Three Windows, From The Series, The Visitor, 29 Years Photographing Mexico © Larry Cwik, 2009

Float, From The Series, The Visitor, 29 Years Photographing Mexico © Larry Cwik, 2010

Procession, From The Series, The Visitor, 29 Years Photographing Mexico © Larry Cwik, 2011
The work in this series results from a cumulative total of six months spent photographing for this project in Mexico, visiting annually since 1983, to a different large city each year, and walking an estimated 900 miles to date through the streets of Mexican cities, looking for images. While in Mexico, I often walk ten or more miles daily, letting my subconscious influence where and when I photograph. The images and scenes that I capture are often mysterious, simple yet enigmatic. I look for the magical scene that can be discovered by chance. As I speak Spanish, I can interact with the Mexican people without hindrance.
I first visited Mexico, briefly, as a teenager, in 1977. It was the first developing nation I visited. Though I have since travelled widely, nationally and internationally, to developed and developing nations, I keep returning to visit Mexico, and am entranced by it.
Andre Breton, a founder of surrealism, said that Mexico is “the surrealist place par excellence,” and I agree. Mexican painter Rufino Tamayo also commented on the surreal nature of Mexico.
Larry Cwik
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