Exhibition
The Expressionist Origins of Lisette Model
Model, Lisette (1901-1983) Venezuela, Portrait of a Woman 1954 Gelatin silver print 13 3/4 X 11 in. (35 X 28 cm) © The Estate of Lisette Model, courtesy of Bruce Silverstein Gallery, New York
Dix, Otto (1891-1969) Leonie 1923 Lithograph 18 1/2 X 14 5/8 in. (47 X 37.2 cm) courtesy of Bruce Silverstein Gallery, New York
Model, Lisette (1901-1983) International Refugee Organization Auction, New York 1948 Gelatin silver print 14 X 16 1/4 in. (35.6 X 41.3 cm) © The Estate of Lisette Model, courtesy of Bruce Silverstein Gallery, New York
Voigt, Bruno (1912-1988) The Death Dance Begins 1933 Watercolor, pencil and ink on paper 23 1/2 X 16 in. (59.69 X 40.64 cm) courtesy of Bruce Silverstein Gallery, New York
Model, Lisette (1901-1983) Crowd, War Rally, New York 1942 Gelatin silver print 13 3/8 X 10 5/8 in. (34 X 27 cm) © The Estate of Lisette Model, courtesy of Bruce Silverstein Gallery, New York
Grosz, George (1893-1959) People Are Basically Good 1919 Color offset print on cream Velin paper 10 3/8 X 7 7/8 in. (26.35 X 20 cm courtesy of Bruce Silverstein Gallery, New York
Model, Lisette (1901-1983) Man Performing 1954-1961 Gelatin silver print 13 3/8 X 11 in. (34 X 28 cm) © The Estate of Lisette Model, courtesy of Bruce Silverstein Gallery, New York
Model, Lisette (1901-1983) Belmont Park Racetrack, New York c. 1956 Gelatin silver print 10 1/2 X 12 5/8 in. (26.67 X 32.07 cm) © The Estate of Lisette Model, courtesy of Bruce Silverstein Gallery, New York
Model, Lisette (1901-1983) Promenade des Anglais, Nice, 7 August 1934 Gelatin silver print 13 1/2 X 10 7/8 in. (34.29 X 27.62 cm) © The Estate of Lisette Model, courtesy of Bruce Silverstein Gallery, New York
Feininger, Lyonel, 1871-1956 Parisian Houses 1920 Woodcut 14 5/8 X 10 5/8 in. (37.3 X 27.1 cm) courtesy of Bruce Silverstein Gallery, New York
Model, Lisette (1901-1983) Reflections, New York 1939-45 Gelatin silver print 13 x 10 5/8 (33 x 27 cm) © The Estate of Lisette Model, courtesy of Bruce Silverstein Gallery, New York
Model, Lisette (1901-1983) Reflections, New York 1939-1945 Gelatin silver print 33 1/2 X 26 3/4 in. (85 X 68 cm) © The Estate of Lisette Model, courtesy of Bruce Silverstein Gallery, New York
Model, Lisette (1901-1983) First Reflection, New York 1939-40 Gelatin silver print 13 1/2 X 10 3/4 in. (34.29 X 27.31 cm) © The Estate of Lisette Model, courtesy of Bruce Silverstein Gallery, New York
Model, Lisette (1901-1983) Shadows 1940-41 Gelatin silver print 13 5/8 X 9 5/8 in. (34.7 X 24.5 cm) © The Estate of Lisette Model, courtesy of Bruce Silverstein Gallery, New York
Model, Lisette (1901-1983) Running Legs, Forty-Second Street, New York 1940-41 Gelatin silver print 10 7/8 X 13 7/8 in. (27.7 X 35.2 cm) © The Estate of Lisette Model, courtesy of Bruce
Model, Lisette (1901-1983) Venezuela, Portrait of a Woman 1954 Gelatin silver print 13 3/4 X 11 in. (35 X 28 cm) © The Estate of Lisette Model, courtesy of Bruce Silverstein Gallery, New York
Bruce Silverstein Gallery presents Self Reflections: The Expressionist Origins of Lisette Model. This groundbreaking show coincides with the gallery’s announcement of representation of The Estate of Lisette Model and is the first to present the work of this highly respected artist with the aim to explore the origins of her interest in art making.
The exhibition includes known as well as unseen photographs by Model, displayed alongside works on paper by important Expressionist artists working in Europe: Max Beckmann, Otto Dix, Ernst Ludwig Kirchner, George Grosz, Jeanne Mammen, and Lyonel Feininger. Additionally, Self Reflections features a recording of Arnold Schönberg’s masterpiece Pierrot Lunaire, a significant inspiration for Model whose creativity was largely fueled by music.
Lisette Model is regarded as a master of the photographic medium. A native of Vienna, Model was a student of Arnold Schönberg, and was greatly influenced by the Expressionist avant-garde aesthetic and philosophy emerging in Europe in the first half of the 20th century. Model’s interest in depicting all aspects of modern society—the emotion, frustration, tension and anxiety of urban existence between the wars—mirrors the work of a number of second generation German and Austrian Expressionists. Like these artists, she opts for a flattened composition and her figures exaggeratedly fill the picture plane, creating unflattering caricatures of her subjects who become expressionistic tropes. Model’s work is based in social criticism as much as it is rooted in her use of the camera as a tool for understanding life by projecting the creative desires and motivations of the artist.
Lisette Model’s work has been the subject of numerous exhibitions and catalogs, and her influence as a teacher is widely acknowledged, most notably as the instructor to Diane Arbus, Peter Hujar, and Rosalind Solomon. Her work is in the collections of the National Gallery of Canada, San Francisco Museum of Modern Art, Metropolitan Museum of Art, Los Angeles County Museum of Art, Getty Museum, Centre Pompidou, Cleveland Museum of Art and the Museum of Modern Art among others.
To access a recording of Arnold Schönberg’s Pierrot Lunaire featured during the exhibition please visit www.brucesilverstein.com. A catalog has been published to accompany the exhibition.
Self Reflections: The Expressionist Origins of Lisette Model
On view until November 22, 2011
Bruce Silverstein Gallery
535 West 24th Street #1
New York, NY 10011
Links
http://www.brucesilverstein.com
Contributors