Exhibition
An other side of
Charles Matton

Autoportrait fiction en peintre des combustions © Charles Matton / Courtesy Sylvie Matton / Galerie Agathe Gaillard

Autoportrait Michelin, 1972 © Charles Matton / Courtesy Sylvie Matton / Galerie Agathe Gaillard

Autoportrait peignant un piano © Charles Matton / Courtesy Sylvie Matton / Galerie Agathe Gaillard

Autoportrait peignant Léonard et Sylvie 1983 © Charles Matton / Courtesy Sylvie Matton / Galerie Agathe Gaillard

"Louise" (le cri) quatre variations, 1985 © Charles Matton Courtesy Sylvie Matton / Galerie Agathe Gaillard

Sue (Benefit Superviser) en train d'être sculptée, quatre évolutions 2001 © Charles Matton Courtesy Sylvie Matton / Galerie Agathe Gaillard

"Angela" Espace du dedans, photographie de photostat 1974-1978 © Charles Matton / Courtesy Sylvie Matton / Galerie Agathe Gaillard

"Nœuds de tuyaux" 2, photographie de photostat, 1975-1986 © Charles Matton Courtesy Sylvie Matton / Galerie Agathe Gaillard

"Poussine danse", photographie de photostat, 1969-1978 © Charles Matton Courtesy Sylvie Matton / Galerie Agathe Gaillard

"New York", photographie de photostat 1969-1978 © Charles Matton Courtesy Sylvie Matton / Galerie Agathe Gaillard

"La nuque de Nicolas" photographie de photostat 1956-1978 © Charles Matton Courtesy Sylvie Matton / Galerie Agathe Gaillard

"Le Cerf-volant au jardin" # 1, photographie de photostat, 1971-1978 © Charles Matton Courtesy Sylvie Matton / Galerie Agathe Gaillard

"Central Park", photographie de photostat, 1969-1978 © Charles Matton Courtesy Sylvie Matton / Galerie Agathe Gaillard
Autoportrait fiction en peintre des combustions © Charles Matton / Courtesy Sylvie Matton / Galerie Agathe Gaillard
Through December 24, 2011, the Galerie Agathe Gaillard will exhibit thirty of Charles Matton’s unreleased photographs. Until recently, the artist was known mainly for his recreations of “miniature spaces” which were the subject of a superb exhibition and publication in 2010. But Matton was by turns sculptor, painter, and draughtsman, respecting the limits and particularities of each discipline, ready to switch from one to the other according to his visual needs. Nonetheless, he acknowledged certain privileges that only photography possessed: “the immediacy of execution, the intimacy of expression, and the sheer precision of the captured moment.”
From a series of self-deprecating self-portraits to his experimental “photostats” of the 1970s, the exhibition is nothing short of a revelation that should not be missed.
“For Matton, reality was a fiction to which only art could bear witness.”
Bernard Perrine
You can read in the French version of La Lettre the full text written by Bernard Perrine.
30 unreleased photographs by Charles Matton
8 November-December 24, 2011
Galerie Agathe Gaillard
3 rue du pont Louis-Philippe
75004 Paris
Charles Matton, emboîtement
Flammarion, 2011
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