Festival
Lianzhou 2011
Wang Peiquan
I have been felt that camera is a tool. Like a pen, it can write novels, letters, recipes, historical writing and poetry, but if it writes a kind of rich and color literary language, it can be a technique of synecdoche, metaphor or allegorical. Likewise, the same as photography. On the one hand, It can be shown as a garbage directly and shock the audience, like what Wang Liang Yu done. For another, it can be very abstract and let people think much, take Wen Yi Duo, he described a pond of disgusting stagnant water as bright peach blossoms. Usually, to put on the cloak of exquisite demons will be uglier.
I took this garbage photo occasionally. On March this year, I took part in an activity of Peach Flower Festival in county, on the way I went there, I passed a riverside and suddenly found that various of garbage were hung up on the other side of the jungle. Lots pieces of jungle liked the towel pennant that blew in wind, so it became a particular "scene". I stopped my car instantly, and went into the jungle. When I was aware of the spring flood, the garbage from upper reaches flew down heavily, and then they were retained by the jungle by the riverside. Therefore, the garbage stuck on the trees, some of them were winding to a trunk, and some were hung on the branches, or waved underneath the leaves. They are different from that garbage in garbage dump. Though it seemed product in nature instead of man-made, in terms of the deeper level, there was something artificial, and the garbage ultimately derived from human beings, originated in human production. We often refer to the harm that the garbage brings to human, here, we can see that the it brought the nature hazards.
Wang Pei Quan
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