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AIPAD 2012, clichés de fête

Steven Kasher his Gallery © Bob McNeely

Larry Miller in his Gallery © Bob McNeely

Terry Etherton in his Gallery © Bob McNeely

Spencer Throckmorton in his Gallery © Bob McNeely

Eric Franck in his Gallery © Bob McNeely

James Hyman in his Gallery © Bob McNeely

Michael Hoppen in his Gallery © Bob McNeely

Peter Fetterman at AIPAD © Bob McNeely

Monah and alan Gettner of Hyperion Press in their Gallery © Bob McNeely

Lee Marks with one of her artists in her Gallery © Bob McNeely

Tom Gitterman in his Gallery © Bob McNeely

Henry Feldstein in his Gallery © Bob McNeely

Yosi Milo in his Gallery © Bob McNeely

Sid Monroe in his Gallery with David Friend of Vanity Fair © Bob McNeely

Yancey Richardson in her Gallery © Bob McNeely

Robert Koch in his Gallery © Bob McNeely

PP and his photos from Occupy Wall Street at Steven Kasher Gallery © Bob McNeely

herton and Larry Miller discuss the state of the business at AIPAD © Bob McNeely

other's photos from the 1940s in the Vasari Gallery of Buenos Aires © Bob McNeely

Margery Newman of AIPAD at the show © Bob McNeely

Checkingt he back of a print © Bob McNeely

At the show © Bob McNeely

At the Bryce Wolkowitz Gallery

Bill Epperidge at AIPAD © Bob McNeely

Lucien Clergue at AIPAD © Bob McNeely

At the entrance to AIPAD © Bob McNeely

On the floor at AIPAD © Bob McNeely

Bill Cuningham at AIPAD © Bob McNeely

Muhammad Ali (Cassius Clay) by Flip Schulke at AIPAD © Bob McNeely

At AIPAD opening © Bob McNeely

Desert at AIPAD opening © Bob McNeely

Nailya Alexander in her Gallery © Bob McNeely
On Wednesday Evening in New York, the Association of International Art Photography Dealers celebrated the opening of the 32nd edition of their members Photography Show. This years opening supported the non-profit group, inMotion, which provides legal aid to low-income woman.
Although I haven’t been to all 32 shows, the ones I have attended have been some of the most entertaining hours I have spent looking at photographs. Each year I have discovered at least one older photographer whose work I have not seen before, have seen new photographs (both wonderful and ordinary) as well as the “greatest hits” by people whose work I know and love, work by the next generation of photographers, and last but by no means least, have renewed old friendships and made new ones among the dealers from all over the world that come to New York for this wonderful show.
Each year there are many, many photographs that I would love to own, but there is always one that is so extraordinary and unique that I go back to it many times as I walk around the New York Armory. Last year it was a wonderful contact print by Tina Modotti, at Throckmorton Fine Art, of a stand of bamboo, and priced at $500,000.00. This year it was a print by Tina’s photographic mentor and lover, Edward Weston, at Gitterman Gallery, taken in Ohio of a factory and priced at $300,000.00. You can’t accuse me of having cheap taste.
Bob McNeely
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