L'Oeil de La Lettre
Moma : Taryn Simon's Private view

Taryn Simon in the gallery for the press walk through. © Bob McNeely

Roxanna Marcoci, Curator ot the Taryn Simon show. © Bob McNeely

Taryn and Roxana at press preview. © Bob McNeely

Taryn and Roxana at press preview talking about a piece. © Bob McNeely

Taryn being photographed at the opening © Bob McNeely

Taryn and Roxana being photographed at the opening © Bob McNeely

Adjoining exhibit, Ecstatic Alphabets Heaps of Language © Bob McNeely

Taryn Simon and Cindy Sherman in the Gallery © Bob McNeely

In the Gallery © Bob McNeely

In the Gallery © Bob McNeely

Taryn Simon in the Gallery © Bob McNeely

Cindy Sherman and Klaus Biesenbach curator at large in the Gallery © Bob McNeely

In the Garden at MOMA © Bob McNeely

In the Garden © Bob McNeely

In the Museum © Bob McNeely

Taryn and Cindy in the Gallery © Bob McNeely

In the Gallery © Bob McNeely

In the Gallery © Bob McNeely

Photos of Ukranian orphans in the Gallery © Bob McNeely

Photos of Ukranian orphans in the Gallery © Bob McNeely

Leaving the Museum © Bob McNeely
On Monday May 1st, the Museum of Modern Art in New York, opened a show of the new work of Taryn Simon. This body of work, produced over a four year period (2008-2011) is titled, “A Living Man Declared Dead and other Chapters I-XVIII”. On display at MOMA are nine of the eighteen chapters. The work is the product of researching and photographing portraits of bloodlines of such diverse subjects as research rabbits in Australia, a group of related men in India declared dead so other relatives could inherit their land, the descendants of one of Hitler’s closest confidants, and in the book of the same name, but not in the show, the family of the body double of Saddam Hussein’s son Uday. The photos are presented in panels, with each portrait shot against the same color background, and it is remarkable how the individuality of each sitter comes through. Ok, maybe not with the rabbits. Taryn Simon is a very talented photographic portraitist and the exhibit is thought provoking , an interesting continuation of the concept of portraiture and the cataloging of humankind as seen in the work of August Sander. Also, I would highly recommend the book for any collector.
Links
Contributors
Bob McNeely

