Exhibition
Avant-garde photography @ Anamorfose

Sasha Stone Nude #1, (id 3378,0) 03/1933, Belgium Vintage silver print Excellent 12,7 X 17,3 cm 2500,0 Euro

Willy Kessels Nude #7, (id 4727,0) +/- 1930, Belgium Vintage silver print Very Good 8,7 X 13,4 cm 1500,0 Euro

Gerhard Riebicke Hochsprung, (id 4235,0) +/- 1925, Germany Vintage silver print Excellent 16,5 X 12,0 cm 750,0 Euro

Wolff & Tritschler Cologne boat and bridge, (id 4667,0) +/- 1930, Germany Vintage silver print Very Good 18,0 X 23,8 cm 650,0 Euro German photographers and pioneers of Leica Photography. See http://www.drwolffundtritschler.de.tl/ Leica stamp on the back.

Raoul Hausmann Composition, (id 4598,0) +/- 1930, Germany Vintage silver print (later print +/- 1950) Very Good 17,3 X 23,5 cm 3000,0 Euro Provenance : succession Hausmann (Marthe Prévot, Limoges) Inventaire Marthe Prevot 974

Raoul Hausmann Stuhlschatten, (id 4518,0) +/- 1931 , Germany Vintage silver print (later print +/- 1950) Very Good 39,7 X 30,4 cm 5500,0 Euro Provenance : succession Hausmann (Marthe Prévot, Limoges) Inventaire Marthe Prevot 840 Publication: Published as a photomontage in Camera, 1941-42

Gerhard Riebicke Open air exercise, (id 4730,0) +/- 1936, Germany Vintage silver print Very Good 11,0 X 15,7 cm 850,0 Euro Reference Surén, Mensch und Sonne, Berlin, 1936, Page 41 Bodo Niemann, Gerhard Riebicke, Photographien, Galerie Bodo Niemann, Berlin, 2000

Raoul Hausmann Vera Broido on the beach, (id 4519,0) +/- 1931, Germany Vintage silver print (later print +/- 1950) Very Good 18,0 X 24,0 cm 3000,0 Euro Vera Broido was born in St Petersburg in 1907, the daughter of two Russian Jewish revolutionaries. In 1914 when Vera was only seven, her mother was exiled to Western Siberia for her anti-war attitudes; so Vera boarded the Transiberian Express and set off with her mother for a place so far away that even the newspapers didn't reach her. Thanks to father she could emigrate to Germany. During her stay in Berlin she meets Raoul Hausmann (1886 -1971) becoming his model and partner between 1928 and 1934

Willy Kessels Nude double exposure, (id 4757,0) 1933, Belgium Vintage silver print Excellent 29,8 X 23,8 cm 2750,0 Euro Willy Kessels’ oeuvre is particularly illustrative of the practice of the professional photographer in the 1930s. He was active in a diverse array of areas: reportage and advertising, fashion and portraiture, architecture and industry, nudes, collages and abstract photographic experiments.

Gerhard Riebicke Open air exercise, (id 4730,0) +/- 1936, Germany Vintage silver print Very Good 11,0 X 15,7 cm 850,0 Euro Reference Surén, Mensch und Sonne, Berlin, 1936, Page 41 Bodo Niemann, Gerhard Riebicke, Photographien, Galerie Bodo Niemann, Berlin, 2000

Alban Woman and mask, (id 4756,0) +/- 1930, Belgium Vintage silver print Excellent 29,3 X 23,3 cm 1200,0 Euro

Alexis Delcroix La Barbe, (id 4595,0) 1934, Belgium Vintage silver print Excellent 38,5 X 28,1 cm 1500,0 Euro Published Photograms of the Year 1948 edited by Iliffe and Sons London, Gilbert Adams

Alexis Delcroix Famille de cocottes, (id 4711,0) 1934, Belgium Vintage silver print Excellent 28,7 X 21,7 cm 1500,0 Euro
Sasha Stone Nude #1, (id 3378,0) 03/1933, Belgium Vintage silver print Excellent 12,7 X 17,3 cm 2500,0 Euro
Collector’s Room Update #2: Reinventing the World
A photo essay on European avant-garde photography
Following the international success of the first Collector’s Room Update: Stieglitz meets Misonne stellen Anamorfose presents their second Update: Reinventing the World. Reinventing the world is the second part of a photo trilogy giving an overview of the Anamorfose collection of vintage historical art photography. The Collector’s Room Updates are not traditional museum exhibitions but rather a personal view on historical photography. Reinventing the World is a group exhibition with the work of 20 different belgian and european photographers such as Willy Kessels, Raoul Hausmann, Leni Riefenstahl, Alexis Delcroix, Henri Martinie, Nikolaï Kossikoff, Dr. Paul Wolff, Sasha Stone and Gerhard Riebicke. The exhibition is a unique confrontation of vintage prints, many of which have never been shown before. Many of the pictures look very modern but they were all made in the 1930s.
The awakening during the interwar period
Squeezed between two world wars the interwar period is a melting pot of new artforms. After the cruelties of the First Worldwar and the horror of the Spanish flu all existing values had disappeared. And that was also the case for photography. Photographers take away from their earlier work in search of a new world letting go all existing values.
Absurdity as motto
When you have nothing to loose, everything becomes possible. The Berlin Dadaists are the exponents of this philosophy. They tackle all media in search of a new imagery. Raoul Hausmann, berlin artist and protagonist of the Dada movement, is the central photographer in the exhibition. His entire life was one great work of art.
The city as a habitat
The desolate cities need to be redrawn. Many artists give their views on the new society through the city. City life symbolizes progress and the new world. Constructivism and Futurism are the keywords. The industrialization and urbanization of society become important themes for photographers. The city is the centre of the new world and one of the most important subjects for the photographers. Sasha Stone, Dr. Paul Wolff (Germany) and Nikolaï Kossikoff (Russia-Belgium) give a good picture of the city and the industrialization. The city is no longer a topographic data but has become a moving world of transport and progress. The city means more than just transportation and industrialization, the city is also cabaret and a lively night life where the artists are happy to participate and which in itself yields great photography.
Still life as an experiment
The experiment is one of the main features of the avant-garde photography. The still life plays an important role in the experiment. From readymades to advertising photos. Techniques such as montage, collage, photogram, solorisation, extreme exposures and angles are perfected. Later these techniques will become commonplace. They are now found in software like Photoshop. In the exhibition there is experimental work and still lifes by a.o. Raoul Hausmann, Alexis Delcroix and Willy Kessels.
Collector’s Room Update #2: Reinventing the World
Avant-garde fotografie
Exhibition from 29 June until 29 September.
Photo Gallery Anamorfose
Nieuwstraat 11
B-8870 Izegem
Open on Fridays (2pm-7pm) and on Saturdays (10am-1pm) or by appointment.
The gallery will be closed in August.
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