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Anne Brigman
The Photo-Secession

Heart of the Storm, 1912 – Photo Anne W. Brigman © The Getty Center Los Angeles

The Dryad, 1905 © Anne Brigman

The Lone Pine, 1908. Joseph Bellows Gallery © Anne Brigman

Untitled, 1918. Photo Anne Brigman © Art Institute of Chicago/Julien Levy Collection, Gift of Jean Levy and the Estate of Julien Levy, 1988

The Bubble, 1905 – Photo Anne W. Brigman © Art Museum. nncnitv, Princeton, N.J./gift of Mrs. Raymond C. Collins.

The Dying Cedar, 1906 © Anne Brigman

Figure in a Landscape, 1923 – Photo Anne Brigman © Getty Museum

The Wondrous Globe, 1912 © Anne Brigman

09 The Water Nixie, 1914 © Anne Brigman

The Cricket’s Song, 1908 © Anne Brigman

Storm Tree, 1915 © Anne Brigman

Thaw, 1906 © Anne Brigman

Woman by the surf, 1910 © Anne Brigman

Cleft of the rock © Anne Brigman

Souls of the weeping rock, 1910 © Anne Brigman

The Spider’s Web, 1908 © Anne Brigman

Minor, 1906 © Anne Brigman

Anne Brigman at a retouching easel in her studio. ca 1915 © Anne Brigman
Anne Brigman (1869-1950) was a member of the Photo-Secession movement in America. Her most famous photographs were taken between 1900 and 1920, depicting nude women in naturalistic settings. In 1894, she married Martin Brigman, a sea captain. She began taking pictures in 1902, the same year that Alfred Stieglitz invited her to join Photo-Secession, a group of elite American photographers hoping to promote photography and elevate it to a new artistic height. Brigman was often the subject of her own photographs. She retouched her negatives with paint, pencils and superimpositions. Her intentionally counter-cultural images bring to mind la vie bohème and women’s liberation.
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