Jeff Wall, The Destroyed Room, 1978 printed 1987, Cibachrome transparency in fluorescent lightbox, 158.8 x 229 cm © National Gallery of Canada, Ottawa. Purchased 1988

Jeff Wall, The Destroyed Room, 1978 printed 1987, Cibachrome transparency in fluorescent lightbox, 158.8 x 229 cm © National Gallery of Canada, Ottawa. Purchased 1988

Seduced by art : Photography Past and Present Seduced by art : Photography Past and Present Seduced by art : Photography Past and Present Seduced by art : Photography Past and Present Seduced by art : Photography Past and Present Seduced by art : Photography Past and Present Seduced by art : Photography Past and Present Seduced by art : Photography Past and Present Seduced by art : Photography Past and Present Seduced by art : Photography Past and Present Seduced by art : Photography Past and Present Seduced by art : Photography Past and Present Seduced by art : Photography Past and Present Seduced by art : Photography Past and Present Seduced by art : Photography Past and Present
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Seduced by art : Photography Past and Present Jeff Wall, The Destroyed Room, 1978 printed 1987, Cibachrome transparency in fluorescent lightbox, 158.8 x 229 cm © National Gallery of Canada, Ottawa. Purchased 1988 Seduced by art : Photography Past and Present Eugène Delacroix, Mort de Sardanapale, Salon de 1827, 3,92 x 4,96 m © 2010 Musée du Louvre - Angèle Dequier Seduced by art : Photography Past and Present Jorma Puranen, Shadows and Reflections (After Goya), 2011, C-type print mounted on Plexiglas, 98 x 78 cm © The Artist, courtesy Purdy Hicks Gallery, London Seduced by art : Photography Past and Present Richard Learoyd, Man with Octopus Tattoo II, 2011, Unique Ilfochrome photograph, 148.6 x 125.7 cm © Richard Learoyd, courtesy McKee Gallery New York Seduced by art : Photography Past and Present Ignace-Henri-Théodore Fantin-Latour, The Rosy Wealth of June, 1886, Oil on canvas, 70.5 x 61.6 cm © The National Gallery, London Seduced by art : Photography Past and Present Ori Gersht, Blow-Up Untitled 5, 2007, Lightjet print mounted on aluminium, 248 x 188 cm x 6 cm (framed) © Courtesy of the Artist and Mummery + Schnelle, London Seduced by art : Photography Past and Present Thomas Gainsborough, Mr and Mrs Andrews, about 1750 © The National Gallery, London Seduced by art : Photography Past and Present Martin Parr, Signs of the Times, England, 1991, C-type print, 51 x 61 cm © Martin Parr - Magnum Photos Seduced by art : Photography Past and Present Thomas Struth, The Lingwood and Hamlyn Family, London, 2001, C-type print on perspex support, 95.3 x 112.7 cm © Thomas Struth - Jane Hamlyn and James Lingwood, London Seduced by art : Photography Past and Present Unknown photographer, Family Portrait, Lübeck, Germany, about 1845, Daguerreotype, 9.2 x 13.3 cm © Wilson Centre for Photography Seduced by art : Photography Past and Present John Constable, The Cornfield, 1826 © The National Gallery, London Seduced by art : Photography Past and Present Richard Billingham, Hedgerow (New Forest), 2003, Lightjet print mounted on aluminium, 122 x 155 cm © The Artist, courtesy of the Anthony Reynolds Gallery London Seduced by art : Photography Past and Present Gustave le Gray, Seascape, The Steamer (Marine, Le Vapeur), about 1856, Gold-toned albumen print from collodion negative, 30.4 x 40.7 cm © Gregg Wilson, Wilson Centre for Photography Seduced by art : Photography Past and Present Maisie Maud Broadhead, Keep Them Sweet, 2010, C-type print, 145 x 106.5 cm © Maisie Broadhead Seduced by art : Photography Past and Present James Anderson (?), The Laocoön Group, about 1855–65, Gold-toned albumen print, 40.3 x 29.1 cm © Wilson Centre for Photography